I am a Jersey City-based journalist, photographer and pianist. My first book, “A Mad Love: An Introduction to Opera,” was published by Basic Books in Sept. 2018. I am a regular contributor to the NYT obituaries desk and The Economist’s Culture desk, a copywriter for  Material, and host and producer of “Parlando: Musical Matters with Vivien Schweitzer,” a podcast featuring artists and administrators who are changing the narrative in classical music and opera.

As a music critic for the New York Times from June 2006 to June 2016, I wrote reviews, profiles and essays about a broad spectrum of classical, opera and world music. Some of my favorite articles include interviews with the composer Annie Gosfield, the pianist Yvgeny Kissin and the mezzo soprano Alice Coote, as well as features about the intersection of politics and music in Istanbul, the resurgence of sacred music in Caucasus Georgia, and an exploration of what makes musicians ‘ready’ to perform emotionally challenging works. I have reviewed opera in venues ranging from the Metropolitan Opera (“La Traviata,” “Turandot,” and “Siegfried“) to a cemetery in Brooklyn.

I am a classically trained pianist, have performed at venues including Bargemusic in Brooklyn, and particularly enjoy playing chamber music and collaborating with singers.

I was born in Mumbai, am a dual American and British citizen, and grew up in London and Washington, D.C. Early in my journalistic career I worked as a copy editor and reporter for the Moscow Times in Russia, writing stories about topics including mail order brides and the challenges facing foreign missionaries. I have written about Tajikistan for CNN Traveler and New York’s Chinese diaspora for BBC Online and reported on festivals in Mexico and Slovenia. I recently enjoyed writing about my honeymoon to Japan.

From 2015-2019 I was a volunteer teacher of English and Civics at the Center for the Integration and Advancement of New Americans (CIANA)  in Queens, NY, and am currently a volunteer teacher at We Speak NYC. Here’s an article about why this work is important to me. I am also a board member of Art House Astoria, a nonprofit bringing affordable music and arts education to Queens.